exhibition
Exhibition of Paintings and Drawings by Max Weber
ID: 222, Status: completed
Exhibition period:
Apr 22‒May 8, 1909
Venue:
Type:
solo
Organizing Bodies:
Quickstats
Catalogue Entries: 47
Artists: 1
Gender: female: 0, male: 1
Nationalities: 1
| 1. La Toilette
painting
|
Max Weber |
| 2. Roof-tops
painting
|
Max Weber |
| 3. Still-life
painting
|
Max Weber |
| 4. Tower of St. Barnabas, Venice
painting
|
Max Weber |
| 5. Interior with Cast
painting
|
Max Weber |
| 6. Fruit
painting
|
Max Weber |
| 7. Figure Study
painting
|
Max Weber |
| 8. Still-life
painting
|
Max Weber |
| 9. Adame and Eve (sketch)
painting
|
Max Weber |
| 10. Still-life
painting
|
Max Weber |
| 11. Canal Giudecca, Venice
painting
|
Max Weber |
| 12. Chrysanthemum
painting
|
Max Weber |
| 13. Lumber Boats, Venice
painting
|
Max Weber |
| 14. Roses
painting
|
Max Weber |
| 15. Garden in Paris
painting
|
Max Weber |
| 16. Apples and Tulips
painting
|
Max Weber |
| 17. Jardin des Plantes, Paris
painting
|
Max Weber |
| 18. Courtyard, Venice
painting
|
Max Weber |
| 19. Spring (sketch)
painting
|
Max Weber |
| 20. Study
painting
|
Max Weber |
| 21. Study
painting
|
Max Weber |
| 22. Notre-Dame, Paris
painting
|
Max Weber |
| 23. Anticoli-Corrado, Italy
painting
|
Max Weber |
| 24. Meulan, France
painting
|
Max Weber |
| 25. Meulan, France
painting
|
Max Weber |
| 26. Decoration (sketch)
painting
|
Max Weber |
| 27. Summer (sketch)
painting
|
Max Weber |
| 28. Apples
painting
|
Max Weber |
| 29. Pears
painting
|
Max Weber |
| 30. Orchestra at Chatelet, Paris
painting
|
Max Weber |
| 31. Anticoli-Corrado, Italy
painting
|
Max Weber |
| 32. Anticoli-Corrado, Italy
painting
|
Max Weber |
| 33. The White Horse
painting
|
Max Weber |
| 34. Still-life (sketch)
painting
|
Max Weber |
| 35. Boulevard Vaugirard, Paris
painting
|
Max Weber |
| 36. Interior with figures (sketch after Giotto)
painting
|
Max Weber |
| 1. Figure
drawing
|
Max Weber |
| 2. Figure
drawing
|
Max Weber |
| 3. Figure
drawing
|
Max Weber |
| 4. Torse
drawing
|
Max Weber |
| 5. Adame and Eve
drawing
|
Max Weber |
| 6. Anticoli Corrado
drawing
|
Max Weber |
| 7. Landscape, Italy
drawing
|
Max Weber |
| 8. The Seine at Meulan
drawing
|
Max Weber |
| 9. Canal, Rotterdam
drawing
|
Max Weber |
| 10. Canal, Venice
drawing
|
Max Weber |
| [Drawing in portfolio]
drawing
No cat. no. given, original entry: “Additional drawings are in portfolios” located after cat. no. 10. Please see disclaimer for details on database catalogue numbering.
|
Max Weber |
| Date | Title | City | Venue | # of common Artists |
|---|---|---|---|---|
| Feb 12‒24, 1909 | Exhibition of Paintings and Drawings by Max Weber | New York | Murray Hill Gallery | 1 artists |
| Dec 14‒30, 1915 | Exhibition of Paintings and Sculpture By Max Weber | New York | Montross Gallery | 1 artists |
| Oct 6‒Nov 15, 1906 | Salon d'Automne. 4e Exposition | Paris | Grand Palais des Champs Elysées | 1 artists |
Catalogue
Exhibition of Paintings and Drawings by Max Weber. 1909.
Holding Institution: Archives of University of Pittsburgh
Preface
Paul Cézanne, [no title], 1p
" 'If the official salons remain so inferior, it is because they embody in their work nothing but mannerisms more or less commonplace.
It were better to bring out more personal emotion, observation and character.
The Louvre is the book where we learn to read. We must not, however, be content with only holding the formulas of our illustrious predecessors. We must go out to study beautiful nature, endeavor to extricate the mind, l'esprit, search to explain by following our own temperament.
One is neither to scrupulous, nor to sincere, nor too obedient to nature; but one is more or less master of his model, and above all of his means of expression.
Time and reflection modify little by little the vision, and finally we are led to greater comprehension'
Paul Cézanne"
" 'If the official salons remain so inferior, it is because they embody in their work nothing but mannerisms more or less commonplace.
It were better to bring out more personal emotion, observation and character.
The Louvre is the book where we learn to read. We must not, however, be content with only holding the formulas of our illustrious predecessors. We must go out to study beautiful nature, endeavor to extricate the mind, l'esprit, search to explain by following our own temperament.
One is neither to scrupulous, nor to sincere, nor too obedient to nature; but one is more or less master of his model, and above all of his means of expression.
Time and reflection modify little by little the vision, and finally we are led to greater comprehension'
Paul Cézanne"
Catalogue Structure
"Paintings", cat. no. 1-36, 2p.
"Drawings", cat. no. 1-10, 1p.
"Additional drawings are in portfolios", no cat. no, 1p.
"Drawings", cat. no. 1-10, 1p.
"Additional drawings are in portfolios", no cat. no, 1p.
+Gender Distribution (Pie Chart)
+Artists’ Age at Exhibition Start(Bar Chart)
+Artists’ Nationality(Pie Chart)
+Exhibiting Cities of Artists(Pie Chart)
+Catalogue Entries by Type of Work(Pie Chart)
+Catalogue Entries by Nationality(Pie Chart)
Recommended Citation:
"Exhibition of Paintings and Drawings by Max Weber." In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915.
Last modified Oct 28, 2019. https://exhibitions.univie.ac.at/exhibition/222