artist
Umberto Boccioni
Italian painter, sculptor, and draftsman, 1882-1916
Gender:
male
Born:
1882,
Reggio Calabria
Died:
1916,
Verona
Nationality:
Italy
Places of Activity:
Quickstats
Exhibitions: 19
Exhibiting Countries: 8
Exhibiting Cities: 12
Catalogue Entries: 194
Types of Work:
painting and drawing: 194
|
Sala A
169. Impressione di figura
|
Esposizione Annuale d'Arte della Famiglia Artistica |
|
Sala A
170. Mattino
|
Esposizione Annuale d'Arte della Famiglia Artistica |
|
Sala A
171. Impressione di paese
|
Esposizione Annuale d'Arte della Famiglia Artistica |
|
Sala A
172. Crepuscolo
|
Esposizione Annuale d'Arte della Famiglia Artistica |
| 1. Boccioni: États d'âme: Les adieux
cat. no. 1-3 are listed under "États d'âme"
|
Les Peintres Futuristes italiens |
| 2. Boccioni: États d'âme: Ceux qui s'en vont
cat. no. 1-3 are listed under "États d'âme"
|
Les Peintres Futuristes italiens |
| 3. Boccioni: États d'âme: Ceux qui restent
cat. no. 1-3 are listed under "États d'âme"
|
Les Peintres Futuristes italiens |
| 4. Boccioni: La rue entre dans la maison
|
Les Peintres Futuristes italiens |
| 5. Boccioni: Le rire
|
Les Peintres Futuristes italiens |
| 6. Boccioni: La ville monte
|
Les Peintres Futuristes italiens |
| 7. Boccioni: Visions simultanées
|
Les Peintres Futuristes italiens |
| 8. Boccioni: Idole moderne
|
Les Peintres Futuristes italiens |
| 9. Boccioni: Les forces d'une rue
|
Les Peintres Futuristes italiens |
| 10. Boccioni: La rafle
|
Les Peintres Futuristes italiens |
| 1. Boccioni: Leave-Taking
[Description] "In the midst of the confusion of departure, the mingled concrete and abstract sensations are translated into force-lines and rhythms in quasi-musical harmony: mark the undulating lines and the chords made up of the combination of figures and objects. The prominent elements, such as the number of the engine, its profile shown in the upper part of the picture, its wind-cutting fore part in the centre, symbolical of parting, indicate the features of the scene that remain indelibly impressed upon the mind."
|
Exhibition of works by the Italian Futurist Painters |
| 2. Boccioni: Those who are going away
[Description] "Their state of mind is represented by oblique lines on the left. The colour indicates the sensation of loneliness, anguish and dazed confusion, which is further illustrated by the faces carried away by the smoke and the violence of speed. One may also distinguish mangled telegraph posts and fragments of the landscape through which the train has passed."
|
Exhibition of works by the Italian Futurist Painters |
| 3. Boccioni: Those who remain behind
[Description] "The perpendicular lines indicate their depressed condition and their infinite sadness dragging everything down towards the earth. The mathematically spiritualised silhouettes render the distressing melancholy of the soul of those that are left behind."
|
Exhibition of works by the Italian Futurist Painters |
| 4. Boccioni: The street enters the house
[Description] "The dominating sensation is that which one would experience on opening a window: all life, the noises of the street rush in at the same time as the movement and reality of the objects outside. The painter does not limit himself to what he sees in the square frame of the window as would a simple photographer, but he also reproduces what he would see by looking out on every side from the balcony."
|
Exhibition of works by the Italian Futurist Painters |
| 5. Boccioni: Laughter
[Description] "The scene is round the table of a restaurant where all are gay. The personages are studied from all sides and both the objects in front and those at the back are to be seen, all these being present in the painter's memory, so that the principle of the Roentgen rays is applied to the picture."
|
Exhibition of works by the Italian Futurist Painters |
| 6. Boccioni: The rising city
[Description] “The immense horses symbolise the growth and the desperate labour of the great city, thrusting her scaffoldings towards the sky.“
|
Exhibition of works by the Italian Futurist Painters |
| 7. Boccioni: Simultaneous visions
[Description] “The sensation of the inside and the outside, of space and motion, in all directions experienced on approaching a window.“
|
Exhibition of works by the Italian Futurist Painters |
| 8. Boccioni: A modern idol
[Description] “Light effects upon the face of Woman.“
|
Exhibition of works by the Italian Futurist Painters |
| 9. Boccioni: The forces of a street
[Description] “The tendencies, dynamic power, life, ambience, anguish which one experiences in a city; the crushing sense of modern bustle.“
|
Exhibition of works by the Italian Futurist Painters |
| 10. Boccioni: The police raid
[Description] “The sensation produced by the sight of a policeraid in a Milanese night-cafe'.“
|
Exhibition of works by the Italian Futurist Painters |
| 1. Boccioni: Abschied
"Inmitten der Verwirrung des Abschiednehmens treten mächtige Linien, im Rhythmus, in musikalischer Harmonie die konkreten und abstrakten Eindrücke klar hervor, besonders durch die Wellenlinien, die wie Akkorde die Figuren mit den Gegenständen verbinden. Die in den Vordergrund gerückten Gegenstände, wie die Nummer an der Lokomotive, deren Vorderansicht im oberen Teil des Bildes gezeigt wird, ihr vom Wind zerissenes Vorderteil im Mittelpunkt des Bildes, das Symbol des Abschiedehmens, sind ein bezeichnender Hauptzug der Szene, die sich unvergeßlich dem Gehirn einprägen."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 2. Boccioni: Die Abreisenden
"Ihr Gemütszustand ist durch schräge Striche an der linken Seite des Bildes angedeutet. Die Farbe des Bildes versinnlicht das Gefühl der Vereinsamung, der Angst und entzetzlichen Verwirrung. Es wird ausgedrückt durch die Gesichter, die der Rauch davonträgt und durch die große Geschwindigkeit des fahrenden Zuges. Man unterscheidet Telegrafenstangen und Teile der Landschaft durch die der Zug gefahren ist."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 3. Boccioni: Die Zurückbleibenden
"Durch die senkrechten Linien, die alles zur Erde ziehen, wird der deprimierte Zustand der Zurückbleibenden angedeutet und ihre große Trauer. Die mathematisch geisterhaften Stilhouetten sind das Symbol der grossen Melancholie, die die Zurückbleibenden ergriffen hat."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 4. Boccioni: Das Leben der Straße dringt in das Haus
"Der vorherrschende Eindruck des Bildes: Wenn man ein Fenster öffnet, tritt der ganze Lärm der Straße, die Bewegungen und die Gegenständlichkeit der Dinge draußen plötzlich in das Zimmer. Der Maler beschränkt sich nicht darauf, wie ein Photograph, das wiederzugeben, was er von dem kleinen viereckigen Ausschnitt seines Fensters aus sieht. Er bringt alles auf das Bild, was man auf einem offenen Balkon von allen Seiten übersehen kann."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 5. Boccioni: Das Lachen
"Die Szene ist der Tisch eines Restaurants. Man ist sehr lustig. Die Personen sind von allen Seiten aus beobachtet und die Gegenstände im Vordergrund und im Hintergrund entwickeln sich in der Phantasie des Malers so lebhaft, daß das Bild wie mit Roentgenstrahlen aufgenommen wirkt."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 6. Boccioni: Die erwachende Stadt
Professor Feruccio Busoni
"Die gigantischen Pferde symbolisieren die Größe und die verzweifelte Arbeit der Weltstadt, wie sie ihre Bauten zum Himmel reckt."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 7. Boccioni: Scheinvision
"Den Eindruck, den man von der Außen- und Innenseite empfängt, wenn man sich einem Fenster nähert."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 8. Boccioni: Ein modernes Ideal
"Lichteffekte auf einem weiblichen Porträt."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 9. Boccioni: Die Macht der Straße
"Die Tendenz ist die dynamische Macht, das Leben, der Ehrgeiz, die Angst, die man in einer Stadt beobachten kann, das erdrückende Gefühl, das der Lärm verursacht."
|
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 10. Boccioni: Razzia
- "Die Aufregung verursacht durch eine plötzliche Razzia in einem Nachtcafé Mailands."
- Not exhibited in Berlin (see: exhibition overview) |
Der Sturm. Zweite Ausstellung. Die Futuristen |
| 1. Boccioni: Les adieux. États d'âme
painting
|
Les Peintres Futuristes Italiens / Exposition |
| 2. Boccioni: Ceux qui s'en vont. États d'âme
painting
|
Les Peintres Futuristes Italiens / Exposition |
| 3. Boccioni: Ceux qui restent. États d'âme
painting
|
Les Peintres Futuristes Italiens / Exposition |
| 4. Boccioni: La rue entre dans la maison
painting
|
Les Peintres Futuristes Italiens / Exposition |
| 5. Boccioni: Le rire
painting
|
Les Peintres Futuristes Italiens / Exposition |
| 6. Boccioni: La ville monte
painting
Vendu au Maestro F. Busoni
|
Les Peintres Futuristes Italiens / Exposition |
| 7. Boccioni: Visions simultanées
painting
|
Les Peintres Futuristes Italiens / Exposition |
| 8. Boccioni: Idole moderne
painting
|
Les Peintres Futuristes Italiens / Exposition |
| 9. Boccioni: Les forces d'une rue
painting
|
Les Peintres Futuristes Italiens / Exposition |
| 10. Boccioni: La rafle
painting
Vendu au Comte de B.
|
Les Peintres Futuristes Italiens / Exposition |
| 1. Das Leben der Straße dringt in das Haus
|
Die Futuristen [Wanderausstellung Der Sturm] |
| 2. Das Lachen
|
Die Futuristen [Wanderausstellung Der Sturm] |
| 3. Scheinvision
|
Die Futuristen [Wanderausstellung Der Sturm] |
| 4. Ein modernes Ideal
|
Die Futuristen [Wanderausstellung Der Sturm] |
| 5. Die Macht der Straße
|
Die Futuristen [Wanderausstellung Der Sturm] |
| 1. Az utca élete és a szoba [The Life of the Street and the Room]
painting: oil
"Ennek a képnek tendenciája az, hogy ha
ablakot nyitunk: egy pillanat alatt tele lesz a szo- bánk az utcai élet szimptomáival, betódul a lárma és az utcán levő alakok meg a tárgyakról akarat- lanul is tudomást szerez a szobában tartózkodó. A festő ellentétben a fotográfussal nem azt köteles megörökíteni, amit egy ablak kis négyszögletű ki- vágása láttatni enged, hanem mindent megfest a képen, amit az ablakból kinézve vagy egy erkély- ről lenézve megláthatunk és áttekinthetünk. [This picture has the tendency that when we open a window: within a moment our room will be filled with the signs of the street life, the noises rush in and the perseon in the room involuntarily becomes aware of the people and things on the street. In contrast to a photographer, the painter is not bound to depict what a a window's small square opening lets us see, but he paints everything in a picture that can be seen and taken in looking out from a window or down from a balcony.]" |
A Futuristák és Expressionisták kiállitása [Exhibition of the Futurists and Expressionists] |
| 2. A nevetés [The Laugh]
painting: oil
"A jelenet
egy étterem asztalát ábrázolja. Vidámság ural- kodik. Az alakok megfigyelése e képen több ol- dalról történik, úgy ezek, mint a tárgyak az elő- térben olyan pregnánsan elevenednek meg a festő képzeletében, mintha az egész jelenet megalkotása Roentgen sugarakkal történne. [The scene depicts a table in a restaurant. Happiness is dominating. The figures in the picture can be observed from different angles, and just like the items in the entrance hall they come alive incisively in the mind of the painter, as if the creation of the whole scene hade been done with x-ray.]" |
A Futuristák és Expressionisták kiállitása [Exhibition of the Futurists and Expressionists] |
| 3. Az utca hatalma [The Power of the Street]
painting: oil
"Ezen
festmény tendenciája ábrázolni azt a dynamikus ha- talmat, az életet, a becsvágyat és a félelmet, a melyet a nagyvárosi élet szemlélése kelt. A kép egyúttal ábrázolása annak a nyomasztó érzésnek is, a melyet a nagyvárosi lárma idéz elő az emberi lélekben. [This painting aims to depict the dynamic power, the life, the ambition and fear that is aroused by viewing the big city life. The picture is also a portrayal of the oppressive feelilng, which the city noise conjures up in the human soul.]" |
A Futuristák és Expressionisták kiállitása [Exhibition of the Futurists and Expressionists] |
| 4. Szimultán víziók [Simultaneous Visions]
painting: oil
"Azon
benyomások ábrázolása, melyek kívülről, valamint a belső térből érik az embert ha ablakhoz köze- zeledik. [The Depiction of the impression, that reaches from outside or from the interior to a person when they move toward the window.]" |
A Futuristák és Expressionisták kiállitása [Exhibition of the Futurists and Expressionists] |
| 5. Modern ideál [Modern Ideal]
painting: oil
"Fényfol-
tok női képmáson. [Highlight on a female portrait.]“ |
A Futuristák és Expressionisták kiállitása [Exhibition of the Futurists and Expressionists] |
| 1. Boccioni: Materia
|
Prima Esposizione Pittura Futurista |
| 2. Boccioni: Gli addii (Stati d'animo)
Cat. no. 2-3-4 are grouped with curly brackets in the Title "Stati d'animo" and have to be taken as a series.
|
Prima Esposizione Pittura Futurista |
| 3. Boccioni: Quelli che vanno (Stati d'animo)
Cat. no. 2-3-4 are grouped with curly brackets in the Title "Stati d'animo" and have to be taken as a series.
|
Prima Esposizione Pittura Futurista |
| 4. Boccioni: Quelli che restano (Stati d'animo)
Cat. no. 2-3-4 are grouped with curly brackets in the Title "Stati d'animo" and have to be taken as a series.
|
Prima Esposizione Pittura Futurista |
| 5. Boccioni: Elasticità
|
Prima Esposizione Pittura Futurista |
| 6. Boccioni: Scomposizione di figure a tavola
|
Prima Esposizione Pittura Futurista |
| 7. Boccioni: Costruzione orizzontale
|
Prima Esposizione Pittura Futurista |
| 8. Boccioni: Antigrazioso
|
Prima Esposizione Pittura Futurista |
| 9. Boccioni: Dimensioni astratte
|
Prima Esposizione Pittura Futurista |
| 1. Les adieux
painting
Cat. no. 1-3 are under the subheader "États d'âme".
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 2. Ceux qui s'en vont
painting
Cat. no. 1-3 are under the subheader "États d'âme".
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 3. Ceux qui restent
painting
Collection Marinetti
Cat. no. 1-3 are under the subheader "États d'âme".
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 4. La rue entre dans la maison
painting
Collection Borchardt
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 5. Le rire
painting
Collection Borchardt
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 6. La ville monte
painting
Acheté par le Maestro Busoni
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 7. Visions simultanées
painting
Collection Borchardt
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 8. Idole moderne
painting
Collection Borchardt
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 9. Les forces d'une rue
painting
Collection Borchardt
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 10. La rafle
painting
Acheté par M. Bernheim Jeune
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 1. Matière
1500
Cat. no. 1-4 are under the subheader "Etats d'âme".
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 2. Les adieux
vendu
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 3. Ceux qui s'en vont
vendu
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 4. Ceux qui restent
vendu
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 5. Elasticité
1500
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 6. Décomposition de personnes à table
1000
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 7. Construction horizontale
750
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 8. Antigracieux
vendu
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 9. Dimensions abstraites
400
|
Les Peintres et les Sculpteurs Futuristes Italiens |
| 1. Je veux synthétiser les formes uniques de la continuité dans l'espace
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 2. Je veux synthétiser les formes uniques de la continuité dans l'espace
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 3. Je veux synthétiser les formes uniques de la continuité dans l'espace
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 4. Je veux synthétiser les formes uniques de la continuité dans l'espace
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 5. Je veux synthétiser les formes uniques de la continuité dans l'espace
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 6. Je veux synthétiser les formes uniques de la continuité dans l'espace
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 7. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 8. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 9. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 10. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 11. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 12. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 13. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 14. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 15. Je veux fixer les formes humaines en mouvement
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 16. Je veux donner la fusion d'une tête avec son ambiance
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 17. Je veux donner le prolongement des objets dans l'espace
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 18. Je veux modeler la lumière et l'atmosphère
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 19. Je veux modeler la lumière et l'atmosphère
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 20. Je veux modeler la lumière et l'atmosphère
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 21. Je veux modeler la lumière et l'atmosphère
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
| 22. Je veux modeler la lumière et l'atmosphère
drawing
|
1re Exposition de Sculpture Futuriste du Peintre et Sculpteur Futuriste Boccioni |
|
VII [or] VIII
52. Aufsteigende plastische Konstruktion
|
Der Sturm. Erster Deutscher Herbstsalon Milan |
|
VII [or] VIII
53. Auflösung von Personen am Tisch
|
Der Sturm. Erster Deutscher Herbstsalon Milan |
|
VII [or] VIII
54. Elastizität
|
Der Sturm. Erster Deutscher Herbstsalon Milan |
| 1. Boccioni: Nudo (Complementarismo di forma-colore)
painting
|
Esposizione di Pittura Futurista di "Lacerba" |
| 2. Boccioni: Dinamismo di un ciclista
painting
|
Esposizione di Pittura Futurista di "Lacerba" |
| 3. Boccioni: Dimension orizzontali
painting
|
Esposizione di Pittura Futurista di "Lacerba" |
| 4. Boccioni: Dimension astratte
painting
|
Esposizione di Pittura Futurista di "Lacerba" |
| 5. Boccioni: Testa + luce + Ambiente
painting
|
Esposizione di Pittura Futurista di "Lacerba" |
| 6. Boccioni: Complementarismo di forma-colore
painting
|
Esposizione di Pittura Futurista di "Lacerba" |
| 7. Boccioni: Complementarismo di forma-colore
painting
|
Esposizione di Pittura Futurista di "Lacerba" |
| 8. Boccioni: Complementarismo di forma-colore
painting
|
Esposizione di Pittura Futurista di "Lacerba" |
| 9. Boccioni: Quelle che vanno
painting
Cat. no. 9-10-11 are listed under the sub-header "Stati d'animo".
|
Esposizione di Pittura Futurista di "Lacerba" |
| 10. Boccioni: Gli addii
painting
Cat. no. 9-10-11 are listed under the sub-header "Stati d'animo".
|
Esposizione di Pittura Futurista di "Lacerba" |
| 11. Boccioni: Quelle che restano
painting
Cat. no. 9-10-11 are listed under the sub-header "Stati d'animo".
|
Esposizione di Pittura Futurista di "Lacerba" |
| 1. Boccioni: Nudo (Complementarismo dinamico di forma e colore).
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 2. Boccioni: Dinamismo di un ciclista.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 3. Boccioni: Testa+luce+ambiente.
signor Bruno Corradini
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 4. Boccioni: Complementarismo di forma-colore.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 5. Boccioni: Complementarismo di forma-colore.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 6. Boccioni: Complementarismo di forma-colore.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 7. Boccioni: Costruzione spiralica perpendicolare.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 8. Boccioni: Costruzione dinamica.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 9. Boccioni: Simultaneità dinamica.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 10. Boccioni: Simultaneità dinamica.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 11. Boccioni: Penetrazione angolare (Bicicletta).
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 12. Boccioni: Costruzione dinamica orizzontale.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 13. Boccioni: Espansione spiralica obliqua.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 14. Boccioni: Espansione spiralica (Nudo).
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 15. Boccioni: Espansione ascensionale di un nudo.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 16. Boccioni: Ambiente emotivo di un cavallo.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 17. Boccioni: Ambiente emotivo di un nudo.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 18. Boccioni: Ambiente emotivo di una bicicletta.
|
Esposizione di Pittura Futurista. Boccioni, Carrà, Russolo, Balla, Severini, Soffici |
| 26. Limberto Boccioni: [Title in Japanese]
|
Woodcut Prints [Mokuhanga tenrankai mokuroku] |
| 1. Nude (complementary dynamism of form-colour)
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 2. Dynamism of a cyclist
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 3. Elasticity
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 4. Matter
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 5. Dynamism of a footballer
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 6. [Attempt] to fix human forms in movement
Original entry: "6-10 [cat. no.] Attempts to fix human forms in movement".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 7. [Attempt] to fix human forms in movement
Original entry: "6-10 [cat. no.] Attempts to fix human forms in movement".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 8. [Attempt] to fix human forms in movement
Original entry: "6-10 [cat. no.] Attempts to fix human forms in movement".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 9. [Attempt] to fix human forms in movement
Original entry: "6-10 [cat. no.] Attempts to fix human forms in movement".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 10. [Attempt] to fix human forms in movement
Original entry: "6-10 [cat. no.] Attempts to fix human forms in movement".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 11. [Attempt] to synthetize single forms of continuity through space
Original entry: "11-15 [cat. no.] Attempts to synthetize single forms of continuity through space".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 12. [Attempt] to synthetize single forms of continuity through space
Original entry: "11-15 [cat. no.] Attempts to synthetize single forms of continuity through space".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 13. [Attempt] to synthetize single forms of continuity through space
Original entry: "11-15 [cat. no.] Attempts to synthetize single forms of continuity through space".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 14. [Attempt] to synthetize single forms of continuity through space
Original entry: "11-15 [cat. no.] Attempts to synthetize single forms of continuity through space".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 15. [Attempt] to synthetize single forms of continuity through space
Original entry: "11-15 [cat. no.] Attempts to synthetize single forms of continuity through space".
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 1. Muscles in quick motion
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 3. Single forms of continuity through space
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 4. Fusion of a head and casement window
|
Exhibition of Works of the Italian Futurist Painters and Sculptors |
| 1. Boccioni: Gli addii
Cat. no. 1-3 have the subtitle: "Stati d'animo".
|
Prima Esposizione di pittura futurista |
| 2. Boccioni: Quelli che vanno
Cat. no. 1-3 have the subtitle: "Stati d'animo".
|
Prima Esposizione di pittura futurista |
| 3. Boccioni: Quelli che restano
Cat. no. 1-3 have the subtitle: "Stati d'animo".
|
Prima Esposizione di pittura futurista |
| 4. Boccioni: Construzione orizzontale
|
Prima Esposizione di pittura futurista |
| 5. Boccioni: Dimensioni astratte
|
Prima Esposizione di pittura futurista |
| 6. Boccioni: Testa + luce + ambiente
Bruno Corradini
|
Prima Esposizione di pittura futurista |
| 7. Boccioni: Ambiente emotivo di un nudo di donna
|
Prima Esposizione di pittura futurista |
| 8. Boccioni: Complementarismo di forma-colore
Original entry: "8. 9. 10 [cat. no.] Complementarismo di forma-colore".
|
Prima Esposizione di pittura futurista |
| 9. Boccioni: Complementarismo di forma-colore
Original entry: "8. 9. 10 [cat. no.] Complementarismo di forma-colore".
|
Prima Esposizione di pittura futurista |
| 10. Boccioni: Complementarismo di forma-colore
Original entry: "8. 9. 10 [cat. no.] Complementarismo di forma-colore".
|
Prima Esposizione di pittura futurista |
| 11. Boccioni: Construzione spiralica perpendicolare
|
Prima Esposizione di pittura futurista |
| 12. Boccioni: Costruzione dinamica
|
Prima Esposizione di pittura futurista |
| 13. Boccioni: Simultaneità dinamica
Original entry: "13. 14. [cat. no.] Simultaneità dinamica".
|
Prima Esposizione di pittura futurista |
| 14. Boccioni: Simultaneità dinamica
Original entry: "13. 14. [cat. no.] Simultaneità dinamica".
|
Prima Esposizione di pittura futurista |
| 15. Boccioni: Penetrazione angolare (Bicicletta)
|
Prima Esposizione di pittura futurista |
| 16. Boccioni: Costruzione dinamica orizzontale
|
Prima Esposizione di pittura futurista |
| 17. Boccioni: Espansione spiralica obliqua
|
Prima Esposizione di pittura futurista |
| 18. Boccioni: Espansione spiralica (Nudo)
|
Prima Esposizione di pittura futurista |
| 19. Boccioni: Espansione ascendentale di un nudo
|
Prima Esposizione di pittura futurista |
| 20. Boccioni: Ambiente emotivo di un cavallo
|
Prima Esposizione di pittura futurista |
| 21. Boccioni: Ambiente emotivo di un nudo
|
Prima Esposizione di pittura futurista |
| 22. Boccioni: Ambiente emotivo di una bicicletta
|
Prima Esposizione di pittura futurista |
| 23. Boccioni: Dinamismo di oggetti
Original entry: "23. 24. 25. [cat. no.] Dinamismo di oggetti".
|
Prima Esposizione di pittura futurista |
| 24. Boccioni: Dinamismo di oggetti
Original entry: "23. 24. 25. [cat. no.] Dinamismo di oggetti".
|
Prima Esposizione di pittura futurista |
| 25. Boccioni: Dinamismo di oggetti
Original entry: "23. 24. 25. [cat. no.] Dinamismo di oggetti".
|
Prima Esposizione di pittura futurista |
| 26. Boccioni: Dinamismo du un corpo umano
|
Prima Esposizione di pittura futurista |
| 27. Boccioni: Analisi di forme
Original entry: "27. 28. 29. [cat. no.] Analisi di forme".
|
Prima Esposizione di pittura futurista |
| 28. Boccioni: Analisi di forme
Original entry: "27. 28. 29. [cat. no.] Analisi di forme".
|
Prima Esposizione di pittura futurista |
| 29. Boccioni: Analisi di forme
Original entry: "27. 28. 29. [cat. no.] Analisi di forme".
|
Prima Esposizione di pittura futurista |
| 1. Das Leben der Straße dringt in das Haus
|
Der Sturm. Die Futuristen [Achtundzwanzigste Ausstellung] |
| 2. Das Lachen
|
Der Sturm. Die Futuristen [Achtundzwanzigste Ausstellung] |
| 3. Scheinvision
|
Der Sturm. Die Futuristen [Achtundzwanzigste Ausstellung] |
| 4. Ein modernes Ideal
|
Der Sturm. Die Futuristen [Achtundzwanzigste Ausstellung] |
| 5. Die Macht der Straße
|
Der Sturm. Die Futuristen [Achtundzwanzigste Ausstellung] |
| 29. Der Lärm der Strasse dringt in das Haus
|
Der Sturm. Neunundzwanzigste Ausstellung |
| Die Macht der Straße
|
Sammlung Walden. Gemälde, Zeichnungen, Plastiken |
| Les adieux
drawing
The "Z" behind the title in the catalogue is interpreted as "Zeichnung" (= drawing).
|
Sammlung Walden. Gemälde, Zeichnungen, Plastiken |
| Ceux qui vont
drawing
The "Z" behind the title in the catalogue is interpreted as "Zeichnung" (= drawing).
|
Sammlung Walden. Gemälde, Zeichnungen, Plastiken |
| Ceux qui restent
drawing
The "Z" behind the title in the catalogue is interpreted as "Zeichnung" (= drawing).
|
Sammlung Walden. Gemälde, Zeichnungen, Plastiken |
| Date | Title | Technique | Measurements | Additional | # of Exhibitons |
|---|---|---|---|---|---|
| 1905 | La Signora Virginia [43] | Oil on canvas | 140 x 115.5 cm |
l.r.: u. Boccioni, Roma giugno 1905
Civico Museo d'Arte Contemporanea, Palazzo Reale, Milano
|
1 |
| 1905 | Nonna [51] | Pastel on paper | 124 x 79 cm |
l.r.: "U. Boccioni, Roma 905-06"
Cassa di Risparmio, Venice, Italy
|
2 |
| 1907 | Gisella [263] | Oil on canvas | 46 x 46 cm |
l.r.
Private collection
|
1 |
| 1907 | Gisella [264] | Pastel on paper | 98 x 68 cm |
l.l.: "U. Boccioni 907"
Private collection
|
1 |
| 1907 | Gisella [265] | Drypoint | 24.7 x 33.3 cm | 1 | |
| 1907 | La sorella che lavora [267] | Pastel on paper | 62 x 44 cm |
l.r.: "U. Boccioni-settembre 907"
Private collection
|
1 |
| 1907 | Uomo sdraiato su un prato [270] | Etching and drypoint | 14.5 x 23.5 cm | 1 | |
| 1907 | La Signora Sacchi [272] | Drypoint | 28.2 x 18 cm |
dated l.r., reversed by print: "Milano 1907"
|
1 |
| 1907 | La madre con l'uncinetto [275] | Etching and drypoint | 37 x 31 cm |
l.c., reversed by print: "1907"
|
1 |
| 1908 | La signora Massimino [299] | Oil on canvas | 123 x 151 cm |
u.r.: "U. Boccioni"
Private collection
|
1 |
| 1908 | Autoritratto [303] | Oil on canvas | 70 x 100 cm |
u.r.: "U. Boccioni 1908"
Pinacoteca di Brera, Milan
|
2 |
| 1908 | Romanzo di una cucitrice [309] | Oil on canvas | 150 x 170 cm |
u.l.: "U. Boccioni"
Private collection
|
1 |
| 1908 | Campagna lombarda [323] | Oil on canvas | 93 x 140 cm |
l.l.: "Umberto Boccioni A. 1908"
Museo Civico, Lugano
|
1 |
| 1909 | Testa di vecchio [408] | Oil on wood | 40 x 29 cm |
l.r.: U. Boccioni 3 VIII 909
Civico Museo d'Arte Contemporanea (collection Boschi-Di Stefano), Palazzo Reale, Milano
|
1 |
| 1909 | Interno con la madre che lavora [409] | Oil on canvas | 32 x 25 cm |
l.r.: "U. Boccioni 1909"
Private collection
|
1 |
| 1909 | Mattino [420] | Oil on canvas | 60 x 55 cm |
l.r.: "U. Boccioni"
Private collection, Milan
|
3 |
| 1909 | Crepuscolo [421] | Oil on canvas |
l.r.: "U. Boccioni 1909"
Collezione Dai Pra, Treviso
|
4 | |
| 1909 | Ritratto femminile [435] | Pastel on paper | 54 x 58.1 cm |
Galleria Internazionale d'Arte Moderna, Ca'Pesaro, Venice
|
1 |
| 1909 | Tre donne [455] | Oil on canvas | 180 x 132 cm |
l.r.: "Boccioni 1909-10"
Banca Commerciale Italiana, Milan
|
2 |
| 1910 | Controluce [457] | Pencil and pen on paper |
l.l.: "U. Boccioni 1910"
Private collection
|
2 | |
| 1910 | La madre davanti al tavolo con forbici [460] | Etching | 13.6 x 11.8 cm |
l.r.: "U. Boccioni gennaio 1910"
|
1 |
| 1910 | Casa in costruzione [461] | Pencil on paper | 16 x 10.5 cm |
l.r.: "28 febbraio 910 Boccioni"
Private collection, Milan
|
1 |
| 1910 | Maestra di scena [464] | Oil on canvas | 100 x 80 cm |
l.l.: "U. Boccioni 1909"
Collezione G. Mattioli, Milan
|
2 |
| 1910 | Il lutto [650] | Oil on canvas | 105 x 134.6 cm |
Private collection
|
2 |
| 1910 | Rissa in Galleria [657] | Oil on canvas | 76 x 64 cm |
u.r.: "U. Boccioni"
Pinacoteca di Brera, Milan
|
3 |
| 1910 | La retata [660] | Oil on canvas |
Private collection
|
5 | |
| 1910 | La città sale [675] | Oil on canvas | 200 x 290.5 cm |
l.r.: "U. Boccioni"
The Museum of Modern Art, New York
|
6 |
| 1911 | La risata [701] | Oil on canvas | 110.2 x 145 cm |
l.r.: "U. Boccioni"
The Museum of Modern Art, New York
|
6 |
| 1911 | Idolo Moderno [709] | Oil on board | 59.7 x 58.4 cm |
l.l.: "U. Boccioni"
Collection of Mr. and Mrs. Estorick
|
5 |
| 1911 | Gli addii - Stati d'animo II [723] | Oil on canvas | 71.2 x 94.2 cm |
l.r.: "U. Boccioni"
The Museum of Modern Art, New York
|
8 |
| 1911 | Quelli che vanno - Stati d'animo II [724] | Oil on canvas | 70.3 x 96 cm |
The Museum of Modern Art, New York
|
7 |
| 1911 | Quelli che restano - Stati d'animo II [725] | Oil on canvas | 70.2 x 95.6 cm |
The Museum of Modern Art, New York
|
8 |
| 1911 | Visioni simultanee [744] | Oil on canvas | 70 x 75 cm |
Van der Heydt Museum, Wuppertal
|
4 |
| 1911 | La strada entra nella casa [745] | Oil on canvas | 100 x 100 cm |
l.r.: "U. Boccioni 1911"
Kunstmuseum Hannover mit Sammlung Sprengel, Hannover
|
4 |
| 1911 | Le forze di una strada [747] | Oil on canvas | 100 x 80 cm |
Hängi Collection, Basel
|
4 |
| 1912 | Costruzzione orizzontale [751] | Oil on canvas | 95 x 95 cm |
Signed on the back of the canvas.
Bayeriche Staatsgemäldesammlungen, Munich
|
4 |
| 1912 | Materia [752] | Oil on canvas | 225 x 150 cm |
Signed on the back of the canvas.
Raccolta privata d'arte moderna, Milan
|
4 |
| 1912 | Testa + casa + luce [757] | Plaster | 3 | ||
| 1912 | Fusione di una testa e di una finestra [765] | Plaster | 4 | ||
| 1912 | Antigrazioso [774] | Plaster | Hight: 58cm Base: 50x40 cm |
Galleria Nazionale d'Arte Moderna, Rome
|
3 |
| 1912 | Vuoti e pieni astratti di una testa [775] | Plaster | 3 | ||
| 1912 | Sviluppo di una bottiglia nello spazio [782] | a) Plaster; b)+c) bronze | 5 | ||
| 1912 | Antigrazioso [787] | Oil on canvas | 80 x 80 cm |
Private collection
|
2 |
| 1912 | Testa + luce + ambiente [793] | Oil on canvas | 57 x 57 cm |
Private collection
|
2 |
| 1912 | Dimensioni astratte [794] | Oil and tempera on canvas | 59.5 x 60 cm |
l.r.: "U. Boccioni"
Galleria Civica d'Arte Moderna, Milan
|
4 |
| 1912 | Scomposizione di figure a tavola [796] | Oil on canvas | 70 x 80 cm |
Private collection
|
3 |
| 1912 | Elasticità [799] | Oil on canvas | 100 x 100 cm |
Pinacoteca di Brera, Milan
|
5 |
| 1913 | Forme-forze di una bottiglia [853] | Plaster | 3 | ||
| 1913 | Espansione spiralica di muscoli in movimento [854] | Plaster | 3 | ||
| 1913 | Sintesi del dinamismo umano [855] | Plaster | 3 | ||
| 1913 | Forme uniche della continuità nello spazio [856] | a/b/c/d plaster; e/f/g bronze | 4 | ||
| 1913 | Muscoli in velocità [857] | Plaster | 5 | ||
| 1913 | Dinamismo di un corpo umano [859] | Oil on canvas | 100 x 100 cm |
Galleria Civica d'Arte Moderna, Milan
|
1 |
| 1913 | Dinamismo muscolare [869] | Pen and tempera on paper | 29.3 x 22.9 cm |
l.r.: "Boccioni"
Civico Gabinetto dei Disegni del Castello Sforzesco, Milan
|
5 |
| 1913 | Dinamismo di un corpo umano [878] | Pen and brush on paper |
l.r.: "Boccioni"
Civico Gabinetto dei Disegni del Castello Sforzesco, Milan
|
3 | |
| 1913 | Dinamismo di un corpo umano [883] | Oil on canvas | 81 x 65.5 cm |
u.l.: "U. Boccioni"
Galleria Civica d'Arte Moderna, Milan
|
1 |
| 1913 | Dinamismo di un ciclista [884] | Oil on canvas | 70 x 90 cm |
Raccolta privata d'arte moderna, Milan
|
5 |
| 1913 | Dinamismo di un Foot-baller [895] | Oil on canvas | 195 x 200 cm |
The Museum of Modern Art, New York
|
3 |
| 1913 | Forme plastiche di un cavallo [898] | Oil on canvas | 40 x 40 cm |
Collezione Sprovieri, Rome
|
1 |
| 1913 | Costruzione spiralica [899] | Oil on canvas | 95 x 95 cm |
l.r.: "Boccioni"
Galleria Civica d'Arte Moderna, Milan
|
2 |
| 1913 | Cavallo + Cavaliere + Caseggiato [908] | Oil on canvas | 105 x 135 cm |
l.r.: "Boccioni"
Galleria Nazionale d'Arte Moderna, Rome
|
1 |
+Exhibitions by Year(Bar Chart)
+Exhibitions by Venue(Pie Chart)
+Exhibitions by City(Pie Chart)
+Exhibitions by Country(Pie Chart)
+Catalogue Entries by Type of Work(Pie Chart)
+Catalogue Entries by Year(Bar Chart)
Recommended Citation:
"Umberto Boccioni." In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915.
Last modified Jan 7, 2021. https://exhibitions.univie.ac.at/person/ulan/500012624