Room I
1. Chinese curiosities
painting: oil
|
James Ensor |
Room I
2. In Condroz
painting: oil
|
Auguste Donnay |
Room I
3. Still life - apples
painting: oil
|
James Ensor |
Room I
4. A. Delaunois: Chaples of the Church of St. Peter, Louvain
painting: oil
"This canvas is one of M. Delaunois' best. It renders accurately the impression of damp, cold, and dilapidation to be found in Flemish churches, enhanced by the sumptuous splendour of an old stained-glass window, of a carved altar, and of an Indian shawl thrown over the shoulders of a woman at prayer."
|
Alfred Delaunois |
Room I
5. The slopes of Méry-sur-Ourthe
painting: oil
|
Auguste Donnay |
Room I
6. Still life - impression
painting: oil
|
James Ensor |
Room I
7. Shells
painting: oil
"We note in this canvas, besides the vigour and the rare tones, the pearly and marble-like colours in the depths. In such effects lies the strength of M. Ensor's art, and in this respect he follows Turner."
|
James Ensor |
Room I
8. The vine in October
painting: oil
|
Théo van Rysselberghe |
Room I
9. Young girl in white
painting: oil
|
Théo van Rysselberghe |
Room I
10. The apple harvest
painting: oil
"The picture is quite typical of the style of this artist. It furnishes an excellent study of light in an orchard in September in Flanders, and depicts with force the peasants of the banks of the Lys."
|
Emile Claus |
Room I
11. Kakis, yellow roses, and mimosa
painting: oil
|
Théo van Rysselberghe |
Room I
12. Cape Bénat
painting: oil
|
Théo van Rysselberghe |
Room I
13. Autumn
painting: oil
|
Charles Houssard |
Room I
14. The valley of the Ourthe
painting: oil
|
Auguste Donnay |
Room I
15. Franz Van Holder: Among the dunes
painting: oil
|
Franz van Holder |
Room I
16. Dying rays
painting: oil
"A Flemish village in an autumn setting, at the edge of a slow stream. This fine work is one of those rare landscapes of Laermans in which there is no human figure. It may be compared with his masterpiece 'Dreaming waters'."
|
Eugène Laermans |
Room I
17. Alice
painting: oil
|
Armand Rassenfosse |
Room I
18. A woman putting on her shoes
painting: oil
|
Armand Rassenfosse |
Room I
19. Evening on the quays, Ghent
painting: oil
Royal Museum, Brussels
|
Albert Baertson |
Room I
20. Carnations
painting: oil
|
Armand Rassenfosse |
Room I
21. The white bodice
painting: oil
|
Armand Rassenfosse |
Room I
22. Victor Gilsoul: The Seine at Héricy
painting: oil
|
Victor Olivier Gilsoul |
Room I
23. Snow in Condroz
painting: oil
|
Auguste Donnay |
Room I
24. At the end of the breakwater
painting: oil
|
Franz van Holder |
Room I
25. A bacchanal
painting: oil
|
Victor Abeloos |
Room I
26. Morning at Royston
painting: oil
|
Charles Mertens |
Room I
27. A garden in autumn (Devenshire)
painting: oil
|
Léon de Smet |
Room I
28. The country house
painting: oil
|
Franz van Holder |
Room I
29 [01]. A. Delaunois: Benedictine life
painting: oil
Original entry: "29 [cat. no.]. Benedictine life (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Alfred Delaunois |
Room I
29 [02]. A. Delaunois: Benedictine life
painting: oil
Original entry: "29 [cat. no.]. Benedictine life (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Alfred Delaunois |
Room I
29 [03]. A. Delaunois: Benedictine life
painting: oil
Original entry: "29 [cat. no.]. Benedictine life (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Alfred Delaunois |
Room I
30. The garden of the writer, J. Galsworthy
painting: oil
|
Léon de Smet |
Room I
31. Ostend
painting: oil
|
James Ensor |
Room I
32. The Binche carnival
painting: oil
|
Fernand Verhaegen |
Room I
33. Autumn
painting: oil
|
Auguste Donnay |
Room I
34. Barges on the Scheldt - rain
painting: oil
|
Frans Hens |
Room I
35 [01]. A. Delaunois: Benedictine life
painting: oil
Original entry: "35 [cat. no.] Benedictine life (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Alfred Delaunois |
Room I
35 [02]. A. Delaunois: Benedictine life
painting: oil
Original entry: "35 [cat. no.] Benedictine life (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Alfred Delaunois |
Room I
35 [03]. A. Delaunois: Benedictine life
painting: oil
Original entry: "35 [cat. no.] Benedictine life (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Alfred Delaunois |
Room I
36. Still life
painting: oil
|
Maurice Wagemans |
Room I
37. Snow on the Ourthe
painting: oil
|
Auguste Donnay |
Room I
38. Albert Claes-Thobois: Redhill under snow
painting: oil
|
Albert Florian Claes |
Room I
39. Child among thorns
painting: oil
|
Léon Frédéric |
Room I
40. The scarlet ribbon
painting: oil
|
Théo van Rysselberghe |
Room II
41. Gate of the Béguinage at Lierre
|
Isidore Opsomer |
Room II
42. Victor Gilsoul: A canal in Flanders
|
Victor Olivier Gilsoul |
Room II
43. A portrait
|
Emile Fabry |
Room II
44. Albert Claes-Thobois: The doll
|
Albert Florian Claes |
Room II
45. In the Belgian Ardennes
|
Léon Frédéric |
Room II
46. Waiting
"A queue of poor people waiting for charity, along a white wall in the sunshine. The broad style of the landscape and the poignant expression of the faces are very noticeable."
|
Eugène Laermans |
Room II
47. Roses
|
Alice Ronner |
Room II
48. A. Delaunois: Labour in the monastery lands
"A romantic landscape of a tragic character : a sky study remarkable for its colour and movements."
|
Alfred Delaunois |
Room II
49. The red table-cloth
|
Alfred Verhaeren |
Room II
50. A scene in Brabant
|
Eugène Laermans |
Room II
51. A little valley in the Belgian Ardennes
|
Léon Frédéric |
Room II
52. The chalk seller
|
Léon Frédéric |
Room II
53. A plateau in the Belgian Ardennes
|
Léon Frédéric |
Room II
54. Marigolds
|
Jenny Montigny |
Room II
55. Moonrise
|
Frans Hens |
Room II
56. Dawn - Belgian Ardennes
|
Léon Frédéric |
Room II
57. View of Windsor
|
Charles Houssard |
Room II
58. The late Madame Henriette Ronner: Study of a cat
|
Henriette Ronner |
Room II
59. The late Madame Henriette Ronner: Study of cats
|
Henriette Ronner |
Room II
60. The late Jean Baptiste Madou: The inn
Dr. Vintras
|
Jean-Baptiste Madou |
Room II
61. L. Reckelbus: Flower garden
|
Lodewijk Reckelbus |
Room II
62. The hall
|
Charles Mertens |
Room II
63. Portrait of Marie Louise
|
Emile Vloors |
Room II
64. In a Cornish town
|
Emile Vloors |
Room II
65. Victor Gilsoul: A corner of Delft
|
Victor Olivier Gilsoul |
Room II
66. A village scene
|
Léon Frédéric |
Room II
67. The channel, Nieuport
|
Léon Hellenbrandt |
Room II
68. Poppies
|
Jenny Montigny |
Room II
69. Intimacy
|
Hippolyte Daeye |
Room II
70. The festival of the balloons
"A life-like rendering of a popular festival in its picturesque colour and disorder"
|
Marcel Jefferys |
Room II
71. Reverie
|
Maurice Blieck |
Room II
72. The Thames
|
Pierre Paulus |
Room II
73. Nieuport town
|
Léon Hellenbrandt |
Room II
74. Lombartzyde, near Nieuport
|
Léon Hellenbrandt |
Room II
75. Reverie
|
André Cluysenaar |
Room II
76. An alley, Lierre
|
Isidore Opsomer |
Room II
77. Portrait of M. Emil Vandervelde (Minister of State)
|
André Cluysenaar |
Room III
78. A. Claes-Thobois: Claudine
|
Albert Florian Claes |
Room III
79. Victor Uytterschaut: Boats at La Panne
|
Victor Uyterschaut |
Room III
80.
other medium
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Room III
81. Study of the miracle of St. Walhère
"Two years ago M. Donnay received from the Belgian Government a commission to paint a triptych for the Romanesque Church at Hastière-sur-Meuse (between Dinant and Givet). The final canvases were placed in this church, and it is fortunate that the preliminary study can be shown here. The subject is the legend of St. Walhère. The right-hand division shows the saint, who was Curé of Onhaye, near Hastière, remonstrating with the Curé of the latter place for his misconduct. The intervention takes place at the end of a feast of the wicked priest, the remains of which are still visible. In the final version M. Donnay has altered the composition of this canvas: the Curé of Hastière conducts St. Walhère back to his boat at night and the criminal intention is already legible in his scowling face. In the left-hand division the Curé of Hastière has thrown the St. Walhère into the Meuse, and in the morning his body appears, luminous, on the surface of the water, from which, however, the efforts of the populace cannot draw it out. The central division shows the repentance of the Curé of Hastière, deeply moved by the miracle. Immediately two white oxen, sent by Providence, make their appearance and succeed in drawing the body of St. Walhère to Onhaye, where it becomes an object of popular veneration.”
|
Auguste Donnay |
Room III
82.
other medium, Coloured etching
|
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Room III
83. The beach at La Panne
|
Victor Uyterschaut |
Room III
84. A. Hamesse: Coxyde
drawing, Pencil drawing
|
Adolphe-Jean Hamesse |
Room III
85.
other medium
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Room III
86.
other medium
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Room III
87.
other medium
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Room III
88.
other medium
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Room III
89.
other medium
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Room III
90. Incense
“An evocation of the mystic and sumptuous impressions awakened by the perfume of incense. A woman richly clad in heavy silk brocade, half exposes with gloved hands her aristocratic face in order to inhale the clouds emanating from a crystal perfume-burner. The work is in splendid style and pure draughtsmanship, and is at the same time an opulent symphony of softened colours.”
|
Fernand Khnopff |
Room III
91. A. Delstanche: Pine trees, Rotheneuf, Brittany
|
Delstanche Albert |
Room III
92.
other medium
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Room III
93. The little alley, Lierre
|
Isidore Opsomer |
Room III
94.
other medium
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Room III
95.
other medium
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Room III
96.
other medium
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Room III
97. The evening star
drawing, Pencil drawing
|
Gabrielle Van der Vin |
Room III
98 [01]. P. Cauchie: [Effect] of light
Original entry: "98 [cat. no.]. Effects of light (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Paul Cauchie |
Room III
98 [02]. P. Cauchie: [Effect] of light
Original entry: "98 [cat. no.]. Effects of light (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Paul Cauchie |
Room III
98 [03]. P. Cauchie: [Effect] of light
Original entry: "98 [cat. no.]. Effects of light (three in one frame)". Please see disclaimer for details on database catalogue numbering.
|
Paul Cauchie |
Room III
99. Victor Uytterschaut: Watermael near Brussels
|
Victor Uyterschaut |
Room III
100.
other medium
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Room III
101.
other medium
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Room III
102.
other medium
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Room III
103. H. Verbrugge: Head of an old woman
drawing
|
Herman Verbrugge |
Room III
104. H. Verbrugge: Head of an old man
drawing
|
Herman Verbrugge |
Room III
105. Gabrielle Van der Vin: England's first battle-field, Mons, 22nd August, 1914
drawing
|
Gabrielle Van der Vin |
Room III
106.
other medium, Coloured etching
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Room III
107.
other medium, Coloured etching
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Room III
108. Fishing scene on the banks of the Scheldt
|
Alexandre Marcette |
Room III
109. Lombartzyde
|
Alexandre Marcette |
Room III
110. The storm
|
Alexandre Marcette |
Room III
111. Rough weather
|
Alexandre Marcette |
Room III
112.
other medium, Coloured etching
|
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Room III
113.
other medium, Coloured etching
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Room III
114. The offering
|
Emile Fabry |
Room III
115. The marsh
|
Charles Jacquet |
Room III
116.
other medium, Dry-point
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Room III
117 [01].
other medium
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Room III
117 [02].
other medium
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Room III
117 [03].
other medium
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Room III
118.
other medium
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Room III
119.
other medium, Coloured etching
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Room III
120.
other medium
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Room III
121.
other medium, Coloured etching
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Room III
122.
other medium, Coloured etching
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Room III
123.
other medium, Coloured etching
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Room III
124.
other medium, Coloured etching
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Room III
125.
other medium, Coloured etching
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Room III
126.
other medium, Coloured etching
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Room III
127. Near the fire-place
drawing
|
Léon de Smet |
Room III
128. The distant disaster
pastel
|
Emile Fabry |
Room III
129.
other medium
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Room III
130.
other medium
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Room III
131.
other medium
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Room III
132 [01].
other medium
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Room III
132 [02].
other medium
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Room III
132 [03].
other medium
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Room III
132 [04].
other medium
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Room III
132 [05].
other medium
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Room III
133.
other medium
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Room III
134.
other medium
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135.
other medium
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136.
other medium
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137.
other medium
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138.
other medium
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139.
other medium
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140.
other medium
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141.
other medium
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142.
other medium
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143.
other medium
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144.
other medium
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145.
other medium
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146.
other medium
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147.
other medium
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148.
other medium
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149.
other medium
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150.
other medium
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151.
other medium
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152.
other medium
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153.
other medium
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154.
other medium
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155.
other medium
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156.
other medium
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157.
other medium
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158.
other medium
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